
Shooting high key
At the end of May I had the privilege of digitally photographing Heidi Wall, a young, virtuoso pianist who recently completed her degree in Music Performance at Wilfrid Laurier University. Heidi was interested in a high-key look with a solid white background, so for that we rented studio space in Stratford from Lori-Ann Franklin at Laf’s Photography. Kevin Garrett was my “assistant” – I use “assistant” in quotation marks since it became abundantly clear during the shoot who was the “teacher” and who was the “student”. The first issue in setting up the high-key shots was the relative power of the strobes to light the background, versus the power of the strobe filtered by the enormous octogonal softbox in the LAF studio. Ordinarily, when I use a white muslin as a backdrop I light it two stops higher than the light for the subject, to ensure that the background is white and that the creases in the backdrop do not show in the image – much harder to eliminate when using film than with digital. At the LAF studio, however,



