{"id":14,"date":"2009-10-13T11:03:39","date_gmt":"2009-10-13T15:03:39","guid":{"rendered":"http:\/\/glennpaulleyphotography.ca\/blog\/?p=14"},"modified":"2025-08-04T17:42:12","modified_gmt":"2025-08-04T21:42:12","slug":"manufactured-landscapes","status":"publish","type":"post","link":"https:\/\/glennpaulleyphotography.ca\/blog\/2009\/10\/13\/manufactured-landscapes\/","title":{"rendered":"Manufactured landscapes"},"content":{"rendered":"

Last week I picked up a copy of Manufactured Landscapes [1] from Wordsworth Books in Waterloo. I’ve long been an admirer of Edward Burtynsky’s<\/a> work, and was fortunate to hear him interviewed by Robert Enright at Waterloo’s Perimeter Institute a few years ago, and view some of his prints on exhibition there.<\/p>\n

As I expected, the book is marvelous. Burtynsky’s images are about mankind’s affect on the landscape, on a massive scale. The reproductions of the prints in the book are excellent but what I found interesting is – having seen them in-the-large – the book’s images don’t do justice to the subject in the same way the massive gallery prints do. Here’s an except from Pauli’s introduction (page 22):<\/p>\n

\nIt was an obscure image by the German photographer August Sander that first inspired Burtynsky to see the artistic potential in the quarried landscape. In an interview, he recalled:<\/p>\n

“It wasn’t part of his normal oeuvre, it was a landscape – all white, bright, iridescent. I remember looking at this picture and I could not put it together. Sander had shot down in to the bowl of a limestone quarry, but the optics and spatial relationships created an ambiguity of scale and perspective so that you didn’t know where you were. I stared at it for a minute before I could begin to figure out what I was looking at, and a minute is like eternity to just comprehend what you are seeing. No one had ever done that to me. It was exciting.”<\/p>\n

“Often my approach,the compression of space through light and optics, also yields an ambiguity of scale. You don’t know how large anything is until you see a detail whose size you can recognize. Then you have to reconstruct reality to comprehend how big the place really is.”\n<\/p><\/blockquote>\n

Which begs the question: if images like Burtynsky’s really are best viewed in-the-large, what types of photographs work well in-the-small? I’ll have to see if Brooks Jensen<\/a> has touched on that subject, I’m sure he has…..<\/p>\n

[1] Lori Pauli (2003). Manufactured Landscapes: The Photographs of Edward Burtynsky. National Gallery of Canada\/Yale University Press. Sixth printing (2009). ISBN 978-0-300-09943-0.<\/p>\n","protected":false},"excerpt":{"rendered":"

Last week I picked up a copy of Manufactured Landscapes [1] from Wordsworth Books in Waterloo. I’ve long been an admirer of Edward Burtynsky’s work, and was fortunate to hear him interviewed by Robert Enright at Waterloo’s Perimeter Institute a few years ago, and view some of his prints on exhibition there. As I expected, the book is marvelous. Burtynsky’s images are about mankind’s affect on the landscape, on a massive scale. The reproductions of the prints in the book are excellent but what I found interesting is – having […]<\/p>\n","protected":false},"author":2,"featured_media":1375,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"categories":[5,3],"tags":[7],"class_list":["post-14","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-books","category-photographers","tag-edward-burtynsky"],"yoast_head":"\nManufactured landscapes - Silversmithing<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/glennpaulleyphotography.ca\/blog\/2009\/10\/13\/manufactured-landscapes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Manufactured landscapes - Silversmithing\" \/>\n<meta property=\"og:description\" content=\"Last week I picked up a copy of Manufactured Landscapes [1] from Wordsworth Books in Waterloo. 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