{"id":138,"date":"2010-07-17T22:58:37","date_gmt":"2010-07-18T02:58:37","guid":{"rendered":"http:\/\/glennpaulleyphotography.ca\/blog\/?p=138"},"modified":"2025-08-04T17:41:00","modified_gmt":"2025-08-04T21:41:00","slug":"film-or-digital-and-does-it-matter","status":"publish","type":"post","link":"https:\/\/glennpaulleyphotography.ca\/blog\/2010\/07\/17\/film-or-digital-and-does-it-matter\/","title":{"rendered":"Film or digital? And does it matter?"},"content":{"rendered":"<p>As I&#8217;ve been ill since the beginning of June, I&#8217;ve been unable to shoot and unable to print in the darkroom. So I spent my spare time re-reading some of my very favorite references on photography:<\/p>\n<ul>\n<li>Issue 83 of <a href=\"http:\/\/www.lenswork.com\">Lenswork magazine<\/a> (July-August 2009), a tribute to photographer Bill Jay;\n<li><a href=\"http:\/\/www.lenswork.com\/lwp.htm\">On Being a Photographer<\/a> by Bill Jay and David Hurn;\n<li><a href=\"http:\/\/www.lenswork.com\/lwp.htm\">Single Exposures<\/a> &#8211; Random Observations on Photography, Art, and Creativity by Brooks Jensen;\n<li><a href=\"http:\/\/www.amazon.com\/Within-Frame-Journey-Photographic-Vision\/dp\/0321605020\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1279420407&#038;sr=8-1-catcorr\">Within the Frame<\/a> by David duChemin; and\n<li><a href=\"http:\/\/www.amazon.com\/VisionMongers-Making-Life-Living-Photography\/dp\/0321670205\/ref=sr_1_1?ie=UTF8&#038;s=books&#038;qid=1279420472&#038;sr=1-1\">VisionMongers &#8211; Making a Life and a Living in Photography<\/a>, also by David duChemin.\n<\/ul>\n<p>I also went through some older issues of <a href=\"http:\/\/www.lenswork.com\">Lenswork magazine<\/a> and re-read an editorial by Brooks Jensen from Issue 85 (Nov-Dec 2009) entitled &#8220;A Case of Mistaken Identity&#8221;.<\/p>\n<p>In this editorial, Brooks Jensen makes a point about one&#8217;s identity as an artist being defined by certain influences, some of which are internal and some are external. The case in point concerns the tiresome film vs. digital debate:<\/p>\n<blockquote><p>\nThose of us who, like myself, defined ourselves with a certain style of photography using a prescribed kind of equipment found that we were challenged by the new technologies. For example, we knew that only large-format photography could produce grainless results, sharp as a tack, like those of our heroes Adams, Weston, et al. But when we started seeing grainless, tack-sharp images from digital cameras, it wasn&#8217;t that our <strong>equipment<\/strong> was being challenged, but rather our <strong>sense of identity<\/strong> was being threatened. A digital upstart could be a fine art photographer and produce work that successfully competed with ours with having to undergo our special initiations (workshops, Zone system testing, years of struggling in the darkroom). It wasn&#8217;t a problem for us that other people were making good images, but rather that they were making good images without having to be a member of our tribe. This made our tribe vulnerable; it challenged not what\/how we produce, but <strong>who we are<\/strong>.\n<\/p><\/blockquote>\n<p>This sense of identity is what the <a href=\"http:\/\/bpag.ca\">Burlington Photo Art Group<\/a>, to which I belong, has struggled with to some extent over the past year, and will continue to struggle with as more and more photographers abandon analog photography.<\/p>\n<p>My passion continues to be black-and-white landscape and portrait photography. My preference is to work with film &#8211; I enjoy everything about using film and developing it, and my prints, in a traditional wet darkroom. On the other hand, I am slowly becoming equally at home with digital &#8211; four of my most recent portraiture projects have all been digital, by requirement.<\/p>\n<p>For BPAG, perhaps the time has come to consider an identity based on <em>black-and-white fine art photography<\/em>, rather than the tools with which we make those images.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I&#8217;ve been ill since the beginning of June, I&#8217;ve been unable to shoot and unable to print in the darkroom. So I spent my spare time re-reading some of my very favorite references on photography: Issue 83 of Lenswork magazine (July-August 2009), a tribute to photographer Bill Jay; On Being a Photographer by Bill Jay and David Hurn; Single Exposures &#8211; Random Observations on Photography, Art, and Creativity by Brooks Jensen; Within the Frame by David duChemin; and VisionMongers &#8211; Making a Life and a Living in Photography, also [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[46,47,48,49],"class_list":["post-138","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-bpag","tag-burlington-photo-art-group","tag-film","tag-film-or-digital"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Film or digital? 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