{"id":112,"date":"2010-01-30T11:05:23","date_gmt":"2010-01-30T16:05:23","guid":{"rendered":"http:\/\/glennpaulleyphotography.ca\/blog\/?p=112"},"modified":"2025-08-04T17:41:18","modified_gmt":"2025-08-04T21:41:18","slug":"moving-to-split-grade-printing","status":"publish","type":"post","link":"https:\/\/glennpaulleyphotography.ca\/blog\/2010\/01\/30\/moving-to-split-grade-printing\/","title":{"rendered":"Moving to split grade printing"},"content":{"rendered":"

On the way home from our most recent trip to Burlington for a Burlington Photo Art Group<\/a> meeting, my friend Jim Blomfield<\/a> convinced me to try split grade printing<\/a> (see also this tutorial<\/a>) rather than using the mixed-filter settings on my Devere 504 enlarger. The Devere supports filter grades from 0 to 4 (not 5) in 1\/2 grade increments. Jim suggested that with split-grade printing I’d get better results since the light colour that is exposing the paper matches exactly the emulsions within it: magenta and yellow.<\/p>\n

So, on this latest batch of prints I’ve made of Saskatchewan I followed Jim’s instructions, and I’m pretty pleased with the results. Here is my favorite of those that I’ve printed thus far:<\/p>\n

<\/p>\n\n\n\n\n\n\n
Camera: Toyo 45CF field camera<\/td>\n<\/tr>\n
Film: Ilford FP4+ developed in Kodak D-76<\/td>\n<\/tr>\n
Lens: Fujinon 135SW with red filter<\/td>\n<\/tr>\n
Exposure: unknown<\/td>\n<\/tr>\n
Print: Ilford Multigrade FB Warmtone Glossy developed in Ilford Multigrade developer<\/td>\n<\/tr>\n<\/table>\n

This ranch house ruin is located in the West block of Grasslands National Park<\/a>, south of Val Marie, Saskatchewan. I made this image while on a Wild Prairie workshop led by James R. Page<\/a> last summer, in the 3rd week of June.<\/p>\n

The image above is from a scan of an 8×10 print on Ilford Warmtone FB Glossy developed in Ilford Multigrade. I used the same paper\/developer combination for the 11×14 print that will hang at the Second Cup cafe near the University of Waterloo sometime next week.<\/p>\n

I’m pleased with the result – the print above was how I had visualized the scene before I made the photograph. The portrait of me on my about page<\/a> was taken the same day at the same site; largely overcast, a “straight” image was going to be very, very dull. At the time, I decided to try to take advantage of the clouds and make a stronger, bolder image more suggestive of the approaching thunderstorms that hit us 30 minutes later.<\/p>\n","protected":false},"excerpt":{"rendered":"

On the way home from our most recent trip to Burlington for a Burlington Photo Art Group meeting, my friend Jim Blomfield convinced me to try split grade printing (see also this tutorial) rather than using the mixed-filter settings on my Devere 504 enlarger. The Devere supports filter grades from 0 to 4 (not 5) in 1\/2 grade increments. Jim suggested that with split-grade printing I’d get better results since the light colour that is exposing the paper matches exactly the emulsions within it: magenta and yellow. So, on this […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"categories":[9],"tags":[41,102,19,40],"class_list":["post-112","post","type-post","status-publish","format-standard","hentry","category-darkroom-technique","tag-grasslands-national-park","tag-recent-work","tag-saskatchewan","tag-split-grade-printing"],"yoast_head":"\nMoving to split grade printing - Silversmithing<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/glennpaulleyphotography.ca\/blog\/2010\/01\/30\/moving-to-split-grade-printing\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Moving to split grade printing - Silversmithing\" \/>\n<meta property=\"og:description\" content=\"On the way home from our most recent trip to Burlington for a Burlington Photo Art Group meeting, my friend Jim Blomfield convinced me to try split grade printing (see also this tutorial) rather than using the mixed-filter settings on my Devere 504 enlarger. 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